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Написал t0m1k 14.01.2021 at 16:53
Wow, that was hell of a trip!
High quality work. Really impressive editing skills, interesting mv, nice sync and using effects, rare but well placed using sound effects. I can't say that I've managed to track the plot, I consider this work as a simple frames cut, yet it's not a disadvantage.
Really enjoyed the clip, despite I'm not a big fan of such movies. Good luck here, and I'd love to see more author's clips here)
Dunno how I've managed to miss your comment, but thank you very much!
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Написал Leberate 09.02.2021 at 00:27
про первые 5 минут игры. не серюёзено. бери всю игру, покажи как гномы драконов рубят на право и лево вот будет эпично
К сожалению, не припомню в игре кат-сцен с убийством драконов, но вот насчёт того, что стоит брать всю игру, согласен. Так будет куда больше возможностей для рассказа истории.
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про первые 5 минут игры. не серюёзено. бери всю игру, покажи как гномы драконов рубят на право и лево вот будет эпично
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Написал Илья Чижов 21.01.2021 at 21:20
Проорал. Вообще показалось даже веселее "фокусконовского" клипа. Звуковые эффекты за счёт того, что они взяты из репозиториев, придают клипу правильного кринжа в нужных местах. В общем, 4.5. Ну и вообще люблю безумный трэшак такой. Фильм, кстати, отличный.
Ха-Ха. Спасибо Илья. Конечно не всё что задумывалось в клипе получилось сделать в полной мере ...
Ещё раз Спасибо и Удачи! )
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Написал Sumasbrod 20.01.2021 at 19:42
Очень круто получилось.
До супер крутости ещё пока далеко, тем не менее Спасибо что понравилось.)
Удачи!
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К чему тут музыка? Делал бы без музыки сразу, зачем так издеваться. Было бы лучше.
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Проорал. Вообще показалось даже веселее "фокусконовского" клипа. Звуковые эффекты за счёт того, что они взяты из репозиториев, придают клипу правильного кринжа в нужных местах. В общем, 4.5. Ну и вообще люблю безумный трэшак такой. Фильм, кстати, отличный.
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Очень круто получилось.
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Написал MrAuditore 14.01.2021 at 17:56
emotional beats (re)familiarizing us with the characters at the beginning, to the linking shots meant to establish character development from later on and eventually, even to the brutal sequences defining these characters' struggle with an unrelenting aftermath of a world turned on its head.
So all of it coupled with the fragments of each character's involvement in the story thoroughly weaved into the fabric of this montage made this what I take it to be: a truly professional trailer showcasing the beautifully designed pain and suffering of this game, both visually and narratively, so much so that I can't help but hold it high up in my books in the end. Hats off to ya, Ilya!
Thanks, man! It is pleasure to read that people feels empathy to this video. This game is about empathy and emotional feeling of main heroes, so goas is achieved for me. Thanks again.
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After watching the source I'ver rechecked this clip and... it's still looks pretty good and interesting. Although now I can see what job author had done with editing, I still find this job unusual and charming.
PS the source is definitely not my type but with some interesting thoughts in some places)
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Написал MrAuditore 14.01.2021 at 19:23
"I feel a little strange sharing a childhood story considering I was never a child."
With this, I was transported straight back to how I felt watching 2049 in the theaters for the very first time. An experience much akin to this mirrored perspective you presented us here: simply seen, a daring montage with a length for such an MV that's comparable to that of these movies and their extended versions, which on their own scale and in their own right, put off most of its audience through this.
Once proclaimed as a cool catchphrase during the uprising of Marvel's last-gen phase, I remember the words saying that "heroes are not born, they are made". Just like many dystopian operas with ambiguous morals, Blade Runner does not seem to feature a hero, despite our need to empathize with a better version of ourselves on-screen, with something to cling on. I see it more as some sort of embodiment of this search towards the essence that makes us human, a coming-of-age story on a gargantuan scale, exploring concepts way beyond current understanding of science, I'd say. Which is why this synthesized music and feeling of losing materialism while aiming to the stars fits so well.
Now, as for the experience of watching this itself, I prepared myself to sit through all of it and I've gotta say... I downright loved this. Starting from the apparently distracting quotes you added in the intro, to the systematic, wormhole-like transition from one character to another as the vibrating notes of the song took us through the vibrant colours of the future (which though... in the old BR's case, it's now actually our past :p), it all felt like a carefully arranged cocktail of emotion through an otherwise emotionless and consumerist, materialistic world.
I specifically enjoyed the eerie segue at 7:35 to a symphonic culmination of the inputs you've laid out for us here: the humanity dillemma, the promise of a brighter future held in a dust-covered metallic hand, the illusion of what we call real, everything laid out perfectly within the restrictions of the same primal instincts that drove humanity all throughout history - the appetite for domination. At least that's what I took out from all this.
I also enjoyed the snippets of dialogue, you have masterfully chosen them, making me turn right back after every pause in which I wanted to finish the video a bit later. So props for that, bud. I really hope this extensive amount of work you put here is going to pay off in a satisfactory ranking for you, good luck!
Wooooooaaaahhh, what a commentary, big apprecations for that!
It is such an honour to receive review like this on my work!
Glad you understood philosophy of those films and what i wanted to show in this Tribute, unbelievable ahahah.
I will say like director of this film (Denis Villeneuve), i didn't wanted anybody to fuck up this film, for my case it's this video, i did it with a pure love of cinema and Blade Runner itself.
You got it right in the middle, thank you!!!
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Написал Sham 14.01.2021 at 19:22
Смотрится легко и хорошо, хотя как по мне под конец не хватает динамики, может нойзов каких-то надо было накинуть, или что-то тому подобное, ну и может с ЦК стоило выжать что-то более атмосферное, а так понравилось, пересмотрел пару раз.
Alright, points taken! You make very good observations, as I should have had more impact in the ending perhaps, indeed. Thanks a lot though, glad you were able to enjoy this! (am a big fan of your work here too  )
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"I feel a little strange sharing a childhood story considering I was never a child."
With this, I was transported straight back to how I felt watching 2049 in the theaters for the very first time. An experience much akin to this mirrored perspective you presented us here: simply seen, a daring montage with a length for such an MV that's comparable to that of these movies and their extended versions, which on their own scale and in their own right, put off most of its audience through this.
Once proclaimed as a cool catchphrase during the uprising of Marvel's last-gen phase, I remember the words saying that "heroes are not born, they are made". Just like many dystopian operas with ambiguous morals, Blade Runner does not seem to feature a hero, despite our need to empathize with a better version of ourselves on-screen, with something to cling on. I see it more as some sort of embodiment of this search towards the essence that makes us human, a coming-of-age story on a gargantuan scale, exploring concepts way beyond current understanding of science, I'd say. Which is why this synthesized music and feeling of losing materialism while aiming to the stars fits so well.
Now, as for the experience of watching this itself, I prepared myself to sit through all of it and I've gotta say... I downright loved this. Starting from the apparently distracting quotes you added in the intro, to the systematic, wormhole-like transition from one character to another as the vibrating notes of the song took us through the vibrant colours of the future (which though... in the old BR's case, it's now actually our past :p), it all felt like a carefully arranged cocktail of emotion through an otherwise emotionless and consumerist, materialistic world.
I specifically enjoyed the eerie segue at 7:35 to a symphonic culmination of the inputs you've laid out for us here: the humanity dillemma, the promise of a brighter future held in a dust-covered metallic hand, the illusion of what we call real, everything laid out perfectly within the restrictions of the same primal instincts that drove humanity all throughout history - the appetite for domination. At least that's what I took out from all this.
I also enjoyed the snippets of dialogue, you have masterfully chosen them, making me turn right back after every pause in which I wanted to finish the video a bit later. So props for that, bud. I really hope this extensive amount of work you put here is going to pay off in a satisfactory ranking for you, good luck!
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Смотрится легко и хорошо, хотя как по мне под конец не хватает динамики, может нойзов каких-то надо было накинуть, или что-то тому подобное, ну и может с ЦК стоило выжать что-то более атмосферное, а так понравилось, пересмотрел пару раз.
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Черт, этот ШДЕВАР даже до сюда добрался
не, ну крутой треш, тут бесспорно)
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Watching this the first time around was a pretty tough experience for me, as even if this source is somewhat familiar to me, at least visually and at surface level, the world it portrays is not something easily digestible, at least in what concerns me.
On multiple viewings, however, I came to terms with how much thought you put into this montage, from the emotional beats (re)familiarizing us with the characters at the beginning, to the linking shots meant to establish character development from later on and eventually, even to the brutal sequences defining these characters' struggle with an unrelenting aftermath of a world turned on its head.
Sound design came out natural and harmonious too, all through the chords shaped by your trademark guitar pick that I have come to know and appreciate after first making my way into this website. So all of it coupled with the fragments of each character's involvement in the story thoroughly weaved into the fabric of this montage made this what I take it to be: a truly professional trailer showcasing the beautifully designed pain and suffering of this game, both visually and narratively, so much so that I can't help but hold it high up in my books in the end. Hats off to ya, Ilya!
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А вот и топ-1 ресурса, как всегда, десерт на последок. Как и в случае с Ильей - говорить что-то о технике исполнения нет никакого смысла, потому что это как всегда вышка. Отдельный плюс в карму за свежесть исходника, чрезвычайно оперативная и качественная работа. Приятно видеть от автора уход в драйвовый беспредел по одному исходнику. Как всегда очень нравится работа с камерой и эффектами, динамику выкрутили до максимума и продержал до талого. Ждал правда более интересной интеграции титров в клипе.
Сложно что-то добавить, это как всегда качественный контент от дяди Сэма под любимых брингов, незамысловато, но вкусно.
По традиции, пожелаю удачи на коне и будем ждать будущих эпиков)
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Watched this back around the time you uploaded, the earliest of all of us! And amazingly so, as this was a combo probably laying dormant in my head for a long time, since I simply love the psychotic connotations of I, Tonya, a movie I loved so much that I watched twice, once at home and once at a film festival I volunteered at, simply amazing storytelling.
About your implementation here, there were many things taking me out of the whole experience though, sadly, from the sped up dancing to the non-matching footage shown during the choruses. The transitions to real life situations and then back to how it all translated into Tonya/Harley's mind were all well thought-out, I just wish you spent more time refining them and showing us your truest intention with these sources. Best of luck in the rankings though! Still rooting for ya!
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Wow... very unusual...
A bit art-house at this con. Really interesting source I'd like to get acquainted with. Really ambient and kinda depressive clip with its own charm. Sincerely love author's works for his skill to express himself with very different types of sources. It's hard to find any lacks here, cause technically it's really clean work, may be a bit simple (it's hard to say when you haven't seen the main source), yet I enjoyed this work.
Wish you luck and wating for your next works)
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Когда-то давно, слово CoD для меня было не пустым звуком. Когда-то я с нетерпением проходил MW и MW2 и с интересом наблюдал за СЮЖЕТОМ в этих играх и какая судьба уготована таким знаковым персонажам как Мыло, Призрак и капитан Цена... Сейчас же CoD для меня синоним слову конвеер, но теперь я с нетерпением буду ждать выхода новой колды, если только фримен пообещает сделать по ним клипчанский
Думая это самоя запоминающаяся коллаборация 2-ух основных стилистик автора (игра с наложеженями и переходами через опасити в спокойных партах и отличный внутрикадровый обыгрыш акшон партов с комбинацией 2-ух сменяющих кадров). Картинка иногда (чаще чем иногда) казалось мыльной и уж очень хотелось бы посмотреть эту работу в хай квалити. Прекрасный трек, считаю что обыграл все более чем достойно в с воем стиле, атмосферно, с душой. Хотя думал, что если ты и возьмешь что-то из брингов то это будет какой-то трек из последнего их альбома. Клип идет 4 минуты и я не успел заметить как они пролетели. Спокойные парты пришлись по душе больше, нежели акшон части. И немного жаль было наблюдать дрейкоподобные лицо в саааамом конце клипа. И черт... момент с сигарой прям по струнке души тренькнул... чертов трейтор...
Это крупня и пожалуй достаточно серьезная работа от автора (как мне показалось, по отношению к остальным его работам). Удачи на коне, и черт побери, продолжай в том же духе)
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Although fun, crisp, inspired and really enjoyable, it was still mostly a dizzying experience for me, as the amount of fastcuts and oversync didn't stop even in the case of when I thought we would finally be taking a break -- which was when seeing the duck at 2:44 It was still a fresh take on such a source from you, so that is most definitely appreciated. Maybe my eyes are too weary these days, but I wish it was a bit less fast-paced, though the focus on the song's quirky beats was really cool!
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Wow, that was hell of a trip!
High quality work. Really impressive editing skills, interesting mv, nice sync and using effects, rare but well placed using sound effects. I can't say that I've managed to track the plot, I consider this work as a simple frames cut, yet it's not a disadvantage.
Really enjoyed the clip, despite I'm not a big fan of such movies. Good luck here, and I'd love to see more author's clips here)
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До сих пор с теплотой на душе вспоминаю взрывной дебют автора на криконе. Чертовы ожидания...
Атомосфера у клипа определенно имеется, мв легло хорошо. Со всем остальным... все не так очевидно, к сожалению (особенно когда не знаком с исходником). Сюжтено разобрать мало что получилось, поэтому от этой составляющей откаываемся и воспринимаем работу как просто нарезку по сериальчику (который я слышал и без того достаточно мудреный). Качество картинки можно конечно подтянуть. По поводу самого монтажа все тоже не так радужно как хотелось бы. Обыгрыш ударных катами оно конечно хорошо, но я бы оставил это в начале и в конце (например с крупными планами лиц), ну и где еще кроме самих ударных ничего в треке нет. Переходы фейдами тоже достаточно быстро глаза намазолили, много и не сказать, что уместно были использованы. Очень нехватило разных типов обыгрышей, из той же внутрикадровой только автокатастрофу могу отттуда вспомнить, и то не очень отчетливо.
Автор снова стреляет качественным очетанием мв, но технически все также есть над чем работать. Желаю удачи на коне и очень надеюсь на павер ап в плане техники)
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As someone very unfamiliar with the source, I can say this surely had one too many characters to keep track of, while the song's imposing need for frequent hardcuts had a tendency of exhausting my viewing. Regardless, the song did manage to sustain your narrative pretty well, as your more than often adhesion to the lyrics offered a solid base for this too. There was a certain cyclicality I felt, which aided the overall experience by making it worth it to pay close attention to detail, so that by the time the new part of storyline around 2:20 came around, I could be reminded of the long-haired dude's motivation and conflicts he was involved in up to that point.
Then I believe the main characters met their future selves or something, which led to more paranormal events that I could not explain from the first viewing, but which managed to still complete the world that you attempted to portray here, all the while making it worthwhile to get to the intensity of the montage at 3:05 and the finally released tension that followed it in one culminating burst. That was when I thought the video would end, but you had more plans with the clip, which took me further down the path of time and its confusing multithreads, ultimately making me think I was watching Interstellar.
All in all, what I felt in the end was something ethereal and bodiless just like what the characters must've felt meeting their younger selves through the corridors of time, as Manson's acidic expressionism reminded me once again that this was a painful story. Good intention and overall direction, but still lacking in development.
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Очень мрачная и депрессивная работа конечно, но в этом собственно и суть, поэтому клип свои обязанности с погружением в атмосферу ужасов войны и обреченности выполняет слихвой. Мв, как подметил Samuel действительно классическое, по своему беспроигрышное, но я об этом не говорю как о недостатке. HAHA (грустный смешок) Classic... как говорится. В плане техники работа достаточно простенькая, насколько я понял это незамысловатый пересказ исходника, либо просто нарезка. Моментами драма ясна, моментами не совсем, но с исходником ознакомиться захотелось.
Тяжелая, депрессивная работа, среди всего, в хорошем смысле, треша на коне, смотрится еще более выигрышно, но достаточно простенькая.
Автора поздравляю с дебютом, отличное начало, также удачи на коне и ждем более проработанных и сложных проектов )
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Ну, по своему трешачок конечно получился. Бодро, но я бы сказал что даже черезчур. Со сменой кадров автор явно переборщил, потому что местами работа скатывается в строб и попытки обыгрыша текста неразглядимы бонально из-за шквала катов и фейдов. Мв конечно странное, но свою атмосферу такое сочетание создает, поэтому ничего против самособой не имею. Забористая работа, но только из-за передоза со сменой кадров я наверное ее не стал бы пересматривать. Автору желаю удачи на коне и честно говоря жду глобального паверапа от автора и серьезную работку)
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Heard this movie is really brutal in its portrayal of war as seen by less experienced eyes like this, and your work proved this to me. It still confused me a bit, by the end I thought the boy who found the gun at the beginning was the one laughing at the end, but the girl showing up again at the end there kinda made me a bit confused again. Still, a very potent work, but with maybe not enough sustained efforts in the chorus to properly lift it off the ground like the warplane it probably intended to be, showering us in lines of fire whose flames tell a story crueler than whatever kids these days may ever be able to experience.
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И снойва драйв, и снова веселый махич с толикой треша)
Забористый акшон с мусье цитатником, простенько, приятно, фифектики в меру и к месту, а вот со звуком как-то странно получается, 1 звуковой эффект на 30 секунд (если не меньше), думаю можно было куда лучше с этой частью поработать, либо и вовсе отказаться, а то мне кажется этим саунд эфектам так одиноко в этом клипе
Качественная нарезка по трешовым кинцам, отлично расслабляет и встряхивает одновременно, корбану удачи на коне, жду эпиков)
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A truly refreshing work from such a knowledgeable creator like you. While I still remain a bigger fan of your live action edits, this was also exceptionally well put-together, especially noted the great use of the complimentary materials (overlays etc.) that managed to capture the feel of the game's HUD and interface gimmicks.
I'm not a big fan of this kind of songs, sadly, which is why I mostly enjoyed the way you've done the slower parts, the bridges and buildups were amazing, as well as everything from 1:28 leading up to that explosive ending went so much better than the 2 choruses before it imo, so it was really satisfying to witness a quality increase there. The previous choruses just felt like they were dragging on with the same scenes here and there, but still, overall, this still had the Samuel feel to it, I thoroughly enjoyed it and am happy to have witnessed your return like this. Good luck to you too!
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Топчик
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